I can pick up the Q, point it, start shooting, and know what comes out will be representative of what I’m seeing with my eyes.

I've reached peak bag.

This fast 35mm prime is a true workhorse, and definitely a high point in the history of the Sony E-mount system.

The Pana Leica 15mm is the lens I'd start with. It's the lens I'm going to finish with. And it's the lens with the most mileage along the way.

Stepping up in size from the Retrospective 5, this rugged camera bag adds versatility to an already strong reputation.

The “other” Fuji flagship is all about speed.

In the case of the XF35mm f/2, it almost feels like Fuji is cheating.

New cameras, new lenses and the world’s biggest accessory showroom are just the tip of the iceberg. As usual, this year’s Photokina was one to remember.

This little pouch offers some incredible value, and even if you don’t take advantage of the myriad of ways it can be worn and carried, it will likely still have features that can replace some gear pouch or dopp kit you already own.

Owning the Berlin II is like being stuck in Barcelona because of a missed connection — there are a lot of worse places to be, and there are tons of worse bags to have.

Never one to pick up a 'full-fledged camera', my wife happily pops the DxO One in her bag on a trip to the beach or while out with friends, and that may be the absolute best use-case for a camera like this.

The ultra-wide angle zoom has long been a staple in the landscape photographer’s kit. Though not perfect, this Sony/Zeiss collaboration delivers great optical performance, hitting many of the right notes with only a few minor issues. It’s a keeper.

With the Fujifilm X-Pro 2, I can have my cake and eat it too.

Before I purchased the Slide LITE, I was a little doubtful of how well the strap would deliver on its promise of flexibility. Now, I think this is one of Peak Design’s best products.

If Indiana Jones were to take up photography after hanging down the whip, this is the bag he would use.